Ciudad de México, México, 1981

Brenda Lozano is a fiction writer, essayist and editor. She studied Latin American literature at the Ibero-American University. Lozano received a grant from the FONCA Jóvenes Creadores programme, and some of her short stories have been published in various anthologies. Her first novel, Todo nada (All Nothing, Tusquets, 2009), will soon be adapted for the big screen, and her second book, Cuaderno ideal (Loop), was published in 2014. She currently edits the prose section of the literary journal MAKE. In 2015 she was selected by Conaculta, the Hay Festival and the British Council as one of her country’s best fiction writers under 40. In 2017 she was added to the Bogota 39 list, a selection of the best fiction writers under 40 from across Latin America.

Bibliography

The anxiously awaited and most ambitious novel yet by Brenda Lozano, one of the most prominent voices of the new generation of female Latin American writers.

A young journalist named Zoe travels from Mexico City to the remote area of San Felipe to write an article about Feliciana, an elderly wise woman whose healing arts attract writers, filmmakers and millionaires from around the world.

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Novel

The most awaited and ambitious novel by Brenda Lozano, one of the most prominent voices of the new generation of female Latin American writers.

A young journalist named Zoe travels from Mexico City to the remote area of San Felipe to write an article about Feliciana, an elderly wise woman whose healing arts attract writers, filmmakers and millionaires from around the world. She has unwittingly become the most legendary healer in all of Mexico, but Feliciana has no interest in money or fame. Before telling her own story, she wants to hear Zoe’s.

Two women. Two voices. Two lives. Ancestral, rural, magical Mexico and today’s fast-paced urban Mexico take each other by the hand in this extraordinary novel that speaks with great delicacy of the female identity, and how women get to know each other to better know themselves, heal wounds, and find their own path.

"In Brujas, Brenda Lozano invokes language that is territory of the unknown, a bridge between worlds, that weaves bonds, language as a place of revelation." Gabriela Jauregui

Winner 2019 English PEN Award 

A Proustian love story told by the voice of a young woman waiting for her lover to return.

Loop is a love story narrated from the point of view of a woman who waits for her boyfriend Jonás to return from a trip to Spain. They met when she was recovering from an accident and he had just lost his mother. Soon after that, they were living together. She waits for him as a sort of contemporary Penelope who, instead of knitting only to then un-knit, she writes and erases her thoughts in a notebook: Proust, a dwarf, a swallow, a dreamy cat or David Bowie singing ‘Wild is the Wind’, make up some of the strands that are woven together in this tapestry of longing and waiting.

Written in a sometimes irreverent style, in short fragments that at points are more like haikus than conventional narrative prose, this is a truly original reflection on love, relationships, solitude and the aesthetics and purpose of writing.

"A glorious tapestry of ideas." The Guardian

"A meditation on uselessness; a manifesto in its favour. Brenda Lozano is an anatomist of the everyday..." 3ammagazine

"This book is a teachable thing. It can show us how best to learn to 'unlearn' ourselves in order to better ourselves." Booksandbao

"Experimental, witty and disruptive." Jessica Payn, Splice

"Lozano is a marvellous writer, bright, funny, subtly perverse, always moving." Francisco Goldman

"Lozano knows she is gifted, and has no shame in showing it." Margarita García Robayo, author of Fish Soup

"Lozano’s anti-novel throws down nodal points of entry and departure to create seemingly random junctions between mythology, fairy tale, pop culture and literature. [...] It can be read as a manifesto for realist magic as opposed to magic realism. It can be read aloud between lovers or in solitary silence. But most important of all, it should be read, period." Chris Brownsword, The Quietus

“Brenda Lozano’s books rub shoulders with the best of Latin American literature, without exhausting themselves in localisms or squabbles. An invitation to assess reality from other traditions.” Faena

“Because this is a smaller version of Penelope’s story, of Metamorphoses, of the sea, violence, great literature, death, time, and love going from big bold print to the insignificance of tiny letters. Because that’s what Cuaderno ideal is all about, the most useless stories in a world governed by the most important, the most transcendental, the most famous.” Manuel Barroso

Already an old man, the renowned gastroenterologist Emilio Nassar had a project: let himself starve to death. As a witness of that hidden agenda, he chose his young granddaughter, Emilia, with whom he shared long coffee talks before dying. Still affected by the loss, and engaged in a turbulent love affair, Emilia is devoted to reconstruct the last months she lived with her grandfather, the last months of that avid reader, incurable megalomaniac, authoritarian father, sickly-sweet grandfather, recalcitrant conservative, cinema buff and old-fashioned gentleman. Free of all solemnity, Emilia recalls the lively and poignant monologues of the man who, despite his suicidal determination, always had a memory, a revelation or a new bias to tell, as one might expect from an intolerant man, who also offered gallantry, tenderness and, on his best moments, the most sensible advice: “We are not here to sleep in anguish: we have come to have a good time”. However, Emilia will realize how complicated it is to apply this principle to her chaotic life. A fact that will cast a shy, sad, but revealing light on the nonsense of our affections.

Short stories and novellas

¿What weighs more? A word or a stone? In this short story collection, everyday occurrences converse with all kinds of unusual events. A photocopier’s monologue, the strange questions a little girl asks a policeman, a herd of elephants performing a ritual before death, a home threatened by the objects left by an ex. Cómo piensan las piedras speaks to us of love and family relationships, day-to-day enigmas, the unknown bursting through, memories sinking into the past like a stone into a lake. It speaks to us of stories of love and heartbreak that begin with music albums and end in empty rooms and tired arms. What weighs more, a gorilla or a husband?

Brenda Lozano studies the human zoo in stories where readers will find the characters both familiar and enigmatic, as close friends usually are.

I said I love you, and that word is a panther; I said I love you, and saw that the word flies in the morning. I said I love you, and there goes a black cat. I asked do you love me, and there’s a white dog, dirty and clumsy, tilting its head.

 “A group of stories that are always disturbing, and always subtle.” Antonio Ortuño

“Brenda Lozano is a splendid writer, brilliant, fun, subtly perverse, always moving." Francisco Goldman

Prizes

  • 2019 - English PEN Award on Translation for Cuaderno ideal (Loop), with Annie McDermott
  • 2017 - Included in the list Bogota 39, a selection of the best fiction writers under 40 from across Latin America