New Titles

A beautiful story of impossible love. Two women united forever in the wrong epoch.

At the height of the Franco dictatorship, in a small Valencian town, two teachers, Isabel and Carmen, fall in love and begin a furtive affair, at a time when lesbianism was considered immoral and criminal and therefore almost unthinkable. Isabel is mature and brave, she has cut ties with her family and accepts herself just as she is. Carmen, on the other hand, is fragile and dependent.

The lives of Gloria Felipe and Nuria Valencia intertwine around the kidnapping of a little girl that shakes the Mexican capital in the 1940s. Through a narrator who (in her own words) 'doesn't sing rancheras badly,' we witness the Miranda Felipe family's battle to recover their youngest member and the anxious upbringing of the Fernández Valencia family to save their own daughter from a potential danger that the police haven't been able to stop, reported by the media in the tone of a thriller.

Una historia de amor en tiempos de guerra basada en la vida de la corresponsal de guerra más célebre de la historia.

Martha Gellhorn se negó a ser una nota a pie de página en la nutrida biografía de su marido, Ernest Hemingway. No estaba hecha para ser una solícita ama de casa, había cubierto como reportera la Gran Depresión y la guerra civil española, y ahora, en 1944, estaba firmemente comprometida en la lucha contra Hitler.

Mitama is now the main character of these three stories in which she encounters a kind moon, supportive dolphins, and the terrible eruption of a volcano. But, in reality, Mitama i la cançó del mar is a book that comes from afar, a work that speaks of a woman seeking answers to be at peace with the girl she once was, who shaped her life, her career, and her work.

The secrets of a diva. A life of success and fame marked by a childhood trauma. 

After losing her voice and surviving a heart attack, the world-famous soprano Barbara Simpson decides to take a break and review some unresolved issues in her life, with the help of her mother's diaries.

Cuentos verdaderos (True Tales) brings together the chronicles and reports that Rosa Montero, one of the most important voices in journalism and literature of recent decades, published in El País during the period 1978-1988. Written mostly with the techniques of the best fiction and with the urgency to tell the news already in the past, they are read today as if they were stories. It is literature breaking through impetuously.

In this anthology the Venezuelan poet Rafael Cadenas describes the hesitant manner in which he initially approached the work of Rainer Maria Rilke, the absolute protagonist of this book, which is simultaneously a tribute, critical reading, and testimony of an elective – and spiritual – affinity that has endured for decades. Cadenas' writing, always intense and austere, is sharpened even further in the poems that articulate this moving and powerful dialogue with the author of Elegías de Duino, one of the central poets of the 20th century.

In the early 1970s, Ana María Moix conducted a series of interviews for Tele/eXprés with prominent figures in culture: Gabriel García Márquez, Ana María Matute, Max Aub, Mario Vargas Llosa, Rosa Chacel, Jaime Gil de Biedma, Juan Marsé, Salvador Dalí, Nuria Espert, Pere Gimferrer, Eugenio Trías...

An unjustly neglected poet, now rescued from obscurity in an expanded and revised edition.

Ana María Moix was the only woman included in the celebrated anthology Nueve novísimos, published in 1970, which signposted a new aesthetic in Spanish poetry and cleared the way for a group of poets who were just embarking on a brilliant career. For some reason Ana María Moix's poetry was sidelined and forgotten by the general public, who better remember her as the great story-teller that she was, as well as for her articles in her press, mostly devoted to literature. 

A treasure: Gabriel García Márquez’s unpublished novel. An irresistible story of fleeting, tangled love that recaptures the coveted pleasure of reading the best Gabo.

Almost ten years after the death of Gabriel García Márquez, the publication of his posthumous novel, En agosto nos vemos, promises to be one of the year’s literary highlights.